Les:Mêmes:Histoires
freshiejuice:

"We removed ourselves successfully" Shot by Meagan Abell 2014

freshiejuice:

"We removed ourselves successfully"
Shot by Meagan Abell
2014

deadendqueen:

by deadendsoul (An.Gray)

deadendqueen:

by deadendsoul (An.Gray)

vivipiuomeno:

Catherine Kir’yanova Екатерина Кирьянова (Moscow, Russia 1986) Duo, 2014

vivipiuomeno:

Catherine Kir’yanova Екатерина Кирьянова (Moscow, Russia 1986) Duo, 2014

foxesinbreeches:

Lisa from Eros by Timothy White

foxesinbreeches:

Lisa from Eros by Timothy White

coitusandcarnage:

Maria Rohm
Venus In Furs, 1969

coitusandcarnage:

Maria Rohm

Venus In Furs, 1969

runandchasethemoon:

an-gray:

Untitled by deadendsoul

<3
regardintemporel:

Akio Jissoji - Mandala, 1971

regardintemporel:

Akio Jissoji - Mandala, 1971

foxesinbreeches:

Stills from Film Stenopeico by Paolo Gioli, 1974-1989

"This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple hollow metal tube, one centimeter thick, two centimeters wide, and a little more than a meter long. At the ends, two reels hold 16mm film. Film is pulled through manually causing alternations of time and space. The images enter simultaneously through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole camera obscuras, also called stenopeic from the Greek stenos = narrow and from the stem op- from orào = to see. These tiny holes, when placed, for example, in front of a standing human figure, can explore it in its verticality but without any movement, which is appropriate since each hole will take in a single point, the detail in front of which the hole lies. One of the most obvious results will be to find oneself confronted precisely with a movement of the camera that never happened; somewhat magical pneumatic flutterings running longitudinally and transversally along a face and body reconstructed through 150 image points.”